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undry has again vanished,
fallen into a deathlike sleep. Klingsor has regained power over her soul:
he needs the help of this the most wondrous of women to deliver his final blow. At
his castle, in an inaccessible dungeon, he sits in his
magician's workshop: he is the daemon of hidden sin, the raging of impotence against
sin. Using his magician's powers, he conjures up Kundry's soul; her spirit appears in the depths of a dark
cave. From the dialogue of these two, we learn something of their relationship.
Right: Klingsor's Castle, Act 2 Scene 1, Bayreuth production of 1882. ©
Richard- Wagner- Gedenkstätte.
undry is living an unending life of
constantly alternating rebirths as the result of an ancient
curse which, in a manner reminiscent of the Wandering Jew,
condemns her, in ever-new shapes, to bring to men the suffering of seduction; redemption, death, complete annihilation is vouchsafed her
only if her most powerful blandishments are withstood by the most chaste and virile
of men. So far, they have not been. After each new and, in the end, profoundly
hateful victory, after each new fall by man, she flies into a rage; she then flees
into the wilderness, where by the most severe atonements and chastisements she is,
for a while, able to escape from the power of the curse upon her; yet it is denied to
her to find salvation by this route. Within her, again and again, arises a desire to
be redeemed by a man, this being the only way of redemption offered by the curse: thus does innermost necessity
cause her repeatedly to fall victim anew to the power through which she is reborn as
a seductress. The penitent then falls into a deathlike
sleep: it is the seductress who wakes, and who, after her mad frenzy, becomes a
penitent again.

Left: Marcel Journet (1867-1933) as Klingsor. ©
Richard- Wagner- Gedenkstätte.
no one but a man can redeem her, she has taken refuge as a penitent with
the knights of the Grail; here, among them, must the
redeemer be found. She serves them with the most passionate self- sacrifice: never,
when she is in this state, does she receive a loving look, being no more than a
servant and despised slave. Klingsor's magic has
found her out; he knows the curse and the power through which she can be forced into
his service.
o
avenge the dreadful disgrace he once suffered from Titurel, he traps and seduces the noblest knights of the Grail into breaking their vow of chastity.
What, however, gives him power over Kundry, this most
exquisite instrument of seduction, is not only the magic power through which he
controls the curse upon Kundry, but also the most
powerful assistance he finds in Kundry's own soul.
-
ince only one man can redeem her and so she feels given to him in complete
submission, her experience of the weakness of these men cannot but fill her with
strange bitterness: feeling that only one man, who withstands the force of her
feminine charms, can destroy and redeem her, she is repeatedly driven by something
deep in her own soul to be tested again: but mixed with this is her scorn, her
despair at being subjugated to this feeble breed, and a fearful blazing hatred which,
while it disposes her for the destruction of men, at the same time repeatedly arouses
her wild, loving desire in a consuming, fearfully fiery manner to that fit of ecstasy
by means of which she can work the magic, while remaining its' slave.

Left: Maria Callas as Kundry, Act 2. (Photograph supplied
by Lycia Collins).
er
latest task, under Klingsor's guidance, has been the
seduction of Anfortas. The sorcerer's only wish was
to have Anfortas in his power: he planned for him
the disgrace that, in raving blindness, he once inflicted upon himself: he managed to
lure the Keeper of the Grail himself into the arms of Kundry, reborn as the wondrously seductive woman, and
while he was lost in her embrace, the knights enslaved by Klingsor fell upon him; they were not allowed to kill him;
the vigilant Gurnemans, calling upon the aid of the
Grail, managed to free the already wounded Anfortas. Thus was Klingsor
deprived of the prize of his venture: Kundry, to her
distress, had fared better in proving her power anew! After violent ravings, she
again woke penitent. From one state to the next, she retains no real memory of what
has occurred: to her it is like a dream experienced in very deep sleep which, on waking, one cannot recall, although
there is a vague, deep-seated feeling of impotence. Yet she gazes with both sadness
and scorn at the wounded man, who she, penitent once more now, again serves with the
most passionate devotion, but - without hope, without respect.