JOURNAL FOR
I MIGHT BE CRYING VIDEO
Location1.
THE BRIDGE AT BEN TRE TOWN
I'm not wearing
make-up in this video Tony [the director] says I don't
need to. With the heat and everything [flies, for
example] I feel this is a good decision. When women wear
make-up here they favour the Elizabethan white face
powder and when men do they tend towards bright red
lipstick and thick black eyeliner. It's a bit odd.
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MORNING
Because I start early -by- dawn - I am with the crew
waiting for the good light. I'm a bit cranky mid-morning. I've
got prickly heat and I'm sure everyone will look ravishing in
this video and I'II just look a bit bumpy. After eating last
night I had diahorrea this afternoon. I thought I'd failed in
some way - but they cook next to the drain in our Vietnamese
hotel and yesterday I saw a lot of blood in the drain, pretended
not to and ate dinner.
FOOD
Food is very nice in Vietnam - it can be surprisingly
delicate and refreshing. Yet we are in a very insanitary town.
People throw all their rubbish in the river and that is the main
water supply. People toilet in the street and cook in it. My
manage, has resisted eating for 2 days. I eat lots of noodle
soups -and feel reckless. [When I left Vietnam and met my mother,
in Sarawak I was rather weakened and ill and my mother would
mention "Vietmam" as if this explained everything].
THE
HOTEL - BEN TRE TOWN
The hotel isn't finished. Meredyth [the producer] bought some
mosquito repellent which actually works and everyone has these
mosquito coils - burn out after a few seconds - this is a rather
fortunate design fault as they leave such a suffocating smell
they need to burn out so that a person can breathe.
There are more people
working here than staying here.
THE
RIVER
The Mekong. I was actually thinking about the River
Seine when I wrote this song. The River Seine and Paris. I keep
wandering what will happen if I fall into the River not
dramatically, just that I'll smell really bad and who would rush
to rescue me?
| THE BRIDGE AT BEN TRE TOWN Tony caused a bit of
confusion with the camera in the early evening. There is
a shot where the crowd is walking, pedaling or mopeding
around me as I sing to the camera. However, most of the
people who are supposed to be moving stop to watch the
camera and I ran away because I thought the bridge was
going to collapse and Tony said it was the best filming
of the day.
THE
SHOOT
I'm
beginning to fantasise about the luxury of working in the
rainforest with Werner Herzog.
THE
PEOPLE
One
cannot generalise about people but we are dealing with
crowds and crowds are rarely inviting. Every occasion I
have been talking to an individual who speaks English - a
member has warned them off. The men here are rather mega
macho and do that clearing of the throat and spitting
thing all over the place. There is a big emphasis on the
family. I can tell this because every five minutes I get
asked how many children I have.
A lot of very
beautiful faces, beautiful children. There must be a lot
of pain too - the war is over but these people are still
paying for it.
POVERTY
My
manager said yesterday that Vietnam is officially the
poorest country in the world.
MONEY
It's called Dong. The Vietnamese banks are a bit sniffy
about it - and pretend to be closed when you want to
change it back into Dollars.
THE
FERRY TO HO CHI MINH CITY
[formerly Saigon]
I played that game with PC [my manager] and Tory where
the person next to you sticks a piece of paper on your
head and you guess which person you are. Two of the
answers were "Tanita Tikaram". Desperate times.
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Location 2.
KADOIST TEMPLE
KODOIST
Kadoism
is the state religion. It is very suspect [as if America
suddenly adopted Scientology as the national religion] -
the philosophy of Buddhism Marxism and Victor Hugo were
joined via a medium in 1926. All the monks seem suspect
to, chain smoking not very Zen at all...
THE
EYE
The
all - seeing - eye is a symbol. I find it all a bit
creepy. As ever when confronted by religion I find my
spirit moved only by costume. In this case very nice
white trouser, and a sort of white grandad shirt and
white turban. It doesn't beat the Rumanian nun, who
looked like they'd been dressed by Rei Kawakubo - it more
like an affordable high street alternative. Anyway, Tony
made me stand under the eye - and freaked the monks
because it's forbidden to stand in front of it. However,
to be standing in front of an all-seeing eye -isn't that
an oxymoron? [I was secretly glad - moths take to the eye
like a lamp and I don't like moths]. I think the temple
looked kitsch.
THE
CHILDREN WHO SELL CHEWING GUM
These
children are very street-wise. As soon as we arrived at
the temple they surround the crew; selling cigarettes and
chewing gum, saying "chewing gum 3 000, cigarettes 5
000. You Buy?, Maybe later!" This became our mantra.
Julia, the production design, advised them to diversify
into selling bananas or other fruit as they all sell the
same product. I wondered if these children were orphans.
All the male orphans smoke by the age of six, other males
by the age of sixteen [women never smoke so my lighting
up on the set always caused a frisson of excitement]. I
warmed to one of the boys because he warmed to me and
spoke a little English. I bought some chewing gum off him
- then everyone wanted me to buy chewing gum as if by
buying one packet I would be prepared to buy ten!
THE
SHOT ON THE ROAD OUTSIDE THE TEMPLE
It didn't happen. The monks kept making up rules about
where we can and cannot shoot. They said the road is
sacred - but Meredyth said that it can't be that sacred
as it's covered in cigarette butts, there are motorcycles
speeding across it and men, spitting all over it! [I
suppose saliva is sort of sacred, it being part of the
Body, etc].
THE
SHOT ON THE OTHER SIDE OF THE TEMPLE
A crowd makes towards the camera, waving their hands in
the air and smiling. After a few takes the Communist
Party Official makes us stop the waving because he
doesn't want it to look as if the crowd surrendering to
the Americans.
TOURISTS
This must be a tourist Temple. PC told one group of
tourists that we were doing the preliminary shots for a
film staring Kevin Costner and Julia Roberts called
"I Might Be Crying". He also told them that
they were arriving later. This was a rather unfortunate
wind-up as some tourists stayed to see them arrive.
NEW
YEAR'S EVE - HO CHI MINH CITY
Went to a French restaurant. We ended up in a bar called
Q-Bar and got very drunk.

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Location 3.
HO CHI MINH
[FORMERLY SAIGON]
SHOOT
IN THE SQUARE SURROUNDEDBY TRAFFIC
I
stand inside a sort of giant sandwich board health
warning against polio. I feel vary silly singing inside a
sandwich board. There is much hustle and bustle and I can
hardly breathe because of exhaust fumes. I hope a rather
sooty grimace comes across yearning on film.
BUDDHIST
MONKS
Being a Buddhist is very difficult in Vietnam as they are
not really allowed. We saw two walking in the square.
These two are on a walking pilgrimage: they do not talk
and they walk bare foot very, very slowly all day long
and stop beside you when they want a donation. They do
not acknowledge donations - they are in a higher state
than the rest of us
HAWKERS
Everybody is selling something in the streets. I even saw
a woman with domestic weighing scales and she charges you
to weigh yourself. I have yet to see anyone buy anything.
COMMUNICATIONS
BETWEEN VIETNAMESE CREW AND ENGLISH/AMERICAN CREW
Could be better. Meredyth has lost her voice -
communication has reduced itself to lots of arm waving
and strained faces. Wah, the head of Vietnamese crew and
translator, sometimes disappears into a cafe and does not
own up to being Wah.
THE
HEAT
Very hot. Most sensible Vietnamese take to the shade
during the hottest part of the day. Our crew battles on,
hopefully, looking like mad artists and not mad
foreigners.
SHOT
IN BUILDING
- looking French Colonial but
rather dilapidated
A
fading orange wall on the first floor. I lean against it
singing to the camera and PC seems a bit miffed to think
we came all the way to Vietnam to film and orange wall!
I'm just happy to in the shade [and access to a toilet]
CHILDREN
Children
here are adorable, much loved by their parents and
carried proudly about town in bright colour. So far Tony
has shot about 192 children, usually on the back of their
parents bicycles. I wander how many children on the backs
of bicycles can one director fit into a video for a song
about a river!
It's a low groove
song that may suffer with fast editing. However, my faith
in Tony is infinite - I really think he is a genius - the
only genius I've met in my life so I do not say anything.
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Location 4.
BRIDGE IN HO CHI
[SAIGON]
THE
RIVER
The river
looks like a river of oil - in fact it probably is. It smells
like a river of something else. Tempers are very very frayed
today. I keep getting pinched by the local transvestites, the
heat is stifling, the crowd are dancing but not in the way I
envisaged. Perhaps we are taking the "dirty river"
metaphor too far?
THE
BRIDGE
I'm totally over bridges. This one looks like the one that falls
down about ten times daily in Universal Studios - but without
high tech engineering. However, I seem to have my own personal
Zen by dusk and keep grinning stupidly at everybody and making
love dedications in Italian to my partner, who is standing in the
crowd, which forms at the bottom of the bridge behind the camera
crew.
ARGUMENTS
/ CONFLICTS
There was one
on the set [well, the bottom of the bridge]. I do not like
arguments but was truly above it all on top of the bridge
wandering if this would affect the shot. I can be quite selfish
and distant sometimes especially when I can't hear what's going
on.
Location 5.
MARKET SCENE
BALCONY
SHOT
I
entered what must have been a beautiful colonial house in
the early part of the century - a very nice group of
Vietnamese women with their children gathered behind me,
patiently sitting on the bed while I was on the balcony
singing. The bed was huge and wooden and I wanted to take
it home. I was shot from every single angle possible and
I'm over balconies too.
SHOT
IN MARKET
This shot was for close-ups. My face is exceedingly puffy
- I'm not sure why I hope the camera was tight and arty,
as opposed to portraiture. I had to stand in the road and
a crowd formed either side of me, making it impossible
for anyone to pass and I was glad that I had to leave for
the airport at 9 00 am, otherwise I think I would have
imploded. There is a kind of hysteria when shooting in
places where little shooting has been done - the people
at the back of the crowd cannot see what is going on at
the front and I'm sure if they could they wouldn't be
standing around watching.
COCKROACH
During
one take a cockroach crawled up my leg [I have an insect
phobia]. I ran into the crowd and started kicking
Meredyth [not intentionally, I was hysterical]. The
cockroach was very, very big. My Auntie in Sarawak
narrowed down my poorness not to Vietnam but to the
trauma of the cockroach incident and I've been drinking
her home made tea and washing my face in the leaves as a
cure. I don't quite know how the cockroach can cause a
bronchial infection but I have complete faith in Malay
medicine.
END
OF SHOOT
I ran
off. I did kiss people. I did feel vaguely elated by
being here. However, this is a wounded country and an
impoverished one - our own country, it, to, has created
an underclass of the poor but not to this extent - and it
was not to understand these things that we came but to
shoot a pop video. So I feel a bit lost - but I always
do, and not very wise.
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26th December 1994: HO CHI MINH
CITY
27th December 1994: BEN TRE TOWN
28th December 1994 - 3rd January 1995: HO CHI MINH CITY
1999 The Cappuccino Singer