My
Friend Michael, The
Real ManChild Behind The Mask
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This
week a rabbi, a spoon bender and a superstar began a
bizarre tour of Britain. Their friend JONATHAN MARGOLIS
joined them: his unique report offers an extraordinary
insight into the strange world of Michael Jackson -
and he might have witnessed the moment the tortured
singer made peace with his father.
By
Jonathan Margolis, Mail
On Sunday, March 2001
The
call came at 2am.
They
say the only thing worse than a wrong number in the
middle of the night is a right number, because it invariably
heralds tragedy. In this case, however, a right number
in the small hours brought one of the most remarkable
opportunities imaginable for a journalist.
'Would you like to come and meet Michael Jackson off
the plane at Heathrow at 9am and spend some of the week
with him?' asked a familiar American voice.
The caller was Shmuley Boteach, my hyperactive rabbi
friend who, in one of showbusiness's more unpredictable
couplings, has become pop legend Michael Jackson's guru,
friend - and, last week, partner in founding a children's
charity.
Naturally, I accepted Shmuley's offer and, hours later,
would enter for the second time in a few months the
maelstrom that is the life of the 42-year-old singer,
once described by Bob Geldof as 'the most famous man
on the planet, God help him'.
Behind the scenes of one of this most extraordinary
of celebrity stories, I would find myself doing everything
from listening to Michael in his pyjamas putting the
finishing touches to his Oxford Union speech, to making
him laugh with a joke in the back of his car, to hearing
him make one of the most emotional phone calls of his
life - while on the Hammersmith flyover in West London.
Michael
Jackson was coming to England to launch his US-based
charity Heal The Kids, in a speech at Oxford University,
and to be best man at paranormalist Uri Geller's wedding,
as thanks to Geller for having introduced Jackson to
Shmuley over two years ago.
It had been a tense weekend for Shmuley. Jackson's long-planned
trip was jeopardised at the last minute by his breaking
two bones in his foot falling downstairs, then by an
airline strike - and finally by a snowstorm in New York.
So
it wasn't just cynics who doubted that the singer would
ever make it to Oxford. The rabbi, too, was getting
distinctly nervous. He had put almost a year's work
into getting Michael to speak at Oxford, against advice
that the controversial megastar might get a rough reception
from the students.
But
a few minutes before phoning me, Rabbi Shmuley had received
confirmation from America. Michael Jackson was in plaster,
in pain and on crutches - but he was also on a flight
out of JFK airport.
In
November, I had spent a week around Michael in New York
for an American magazine article. Now Shmuley wanted
me to witness further, by getting me still closer, how
Jackson, who this month becomes a UN Special Ambassador
for children at the behest of his friend Nelson Mandela
among others, is morphing from entertainer into serious
world figure - or so his influential supporters hope.
Shmuley
has made it his mission to convince the world that the
twice-divorced Michael may be unconventional in a host
of ways, but is a good-hearted, fundamentally innocent
innocent man whose desire to sensitise adults to the
needs of children deserves to be heard.
So
now here we were, travelling out to the airport in a
minicab.
Michael's people, a tribe of burly blokes, were already
there, of course.
There
were the squat, silent, watchful American minders, and
the drivers, all English and experienced at whisking
celebrities around in convoys of blacked-out Mercedes
and people-carriers. There was even a photographer employed
to video and photograph Michael's every move for his
personal archive.
Then
the travelling party arrived - Jackson's young manager,
his elderly Lebanese doctor, there to look after the
star's bad foot, plus yet more watchful and burly men.
Normally, there would also have been Michael's children's
nanny, a nice, sensible, middle-aged lady who fusses
and cares for the Jackson Two, Prince and sister Paris.
(There is, incidentally, no troop of 12 nannies as is
often reported - just the one).
Michael's children (both by his second wife, nurse Debbie
Rowe) are an impeccably behaved pair; unspoiled and
scarily bright.
Their
father had decided for once not to bring them on a trip,
because he feared they might be photographed, something
he dreads after a childhood of being constantly hunted
by paparazzi.
As
Michael and his men cleared Customs, the four-car entourage
got into position in a public part of the airport, next
to people getting out of cars to go on holiday.
To
my amazement, Michael was wearing his black silk facemask,
an item that hadn't made an appearance once, either
in private or when we went out in New York, or for that
matter when I met him in Japan years ago.
Indeed,
I have always told people that the mask is another myth,
along with the oxygen tent story and rumours of Michael
having Prince and Paris's toys thrown away after one
use for fear of germs, both of which I know to be untrue.
The
oxygen tent tale, Michael told me when we had Thanksgiving
dinner at the Boteach home in New Jersey, stemmed from
a joke he cracked to a photographer after he had crawled
into one he bought for a children's hospital and emerged
saying: 'Gee, if I had one of those, I could live to
be 150.' The Sun took up the gauntlet and the 'Wacko
Jacko' label, which he despises, was born.
Michael's
physical distress at Heathrow, too, was palpable. He
was stressed and exhausted, hobbling on crutches and
putting every effort into staying upright.
He was too focused on merely walking to say hello to
anyone apart from Rabbi Shmuley and, unfortunately for
me, his crutches and outstretched leg took up what was
going to be my place in his people-carrier.
So
I followed the convoy to London's Lanesborough Hotel
with a 67-year-old driver, Stan, who has been chauffeuring
Michael since the singer was a teenager. Stan was illuminating
on the subject of that facemask. 'It's for the fans
and you lot in the Press, isn't it?' he chuckled.
'Putting
it on guarantees pictures will appear in tomorrow's
papers.
Never forget that Michael is a showman.
'The
fans were out en masse at the back of Michael's hotel,
dozens of them camping in plastic bags on the pavement
for a glimpse of their idol.
As
Michael settled into his suite, I watched his video
man going around the crowd, who screamed and wept messages
to Michael into his camcorder. It was both touching
and disturbing.
Upstairs in the suite, Michael was seeing his doctor.
I wondered when he emerged if he would have any idea
who I was. However, he spotted me and greeted me with
a funny military salute. I've no idea if he really recognised
me, but he made a convincing job of making me feel he
had.
Michael's makeup and quiet, shy manner make it seem
as if he is detached and unaware of what is going on
around him, but he has almost 360-degree vision and
rarely misses anything.
Everybody,
of course, wants to know what this mysterious man is
really like. To me, he comes across as childlike, funny,
generous spirited, considerate, if quite demanding,
and unfailingly polite. He is also unexpectedly gossipy,
though never really malevolent. He has, for instance,
a pet snake jokily called Madonna - but is always anxious
to say how he really thinks the world of his rival for
the number one superstar spot.
His
voice is light and has a distinct Western twang and,
although he speaks quietly and dreamily, also laughs
loudly and often, especially at any physical joke. People
bumping into things and throwing food about crack him
up. He hates even the mildest swearing and is always
asking questions. He listens carefully, watches you
with ever-so-slightly suspicious eyes and ensures by
not saying much that he is listened to intently. As
for his appearance, I don't pretend to fully understand
why he cultivates the image he does, but I'm sure it
has to do with shyness and wanting to hide. Up close,
his cosmetic surgery is obvious and he now seems to
be competing with the natural ageing process. I have
no reason to disbelieve (and some reasons to believe)
his claim that he suffers from a skin-lightening condition,
and I know for certain that he is proud of his black
heritage.
He
told Jackie Onassis, who helped him with his autobiography,
Moonwalker, that he used to wear masks to hide, and
it is also known that his father, the famously harsh
and demanding Joseph Jackson, told him repeatedly as
a child that he was ugly - a pretty scarring inheritance.
Michael
reminds me of an anorexic teenager who is never quite
satisfied with the image they see in the mirror and
has to keep changing it.
Michael
wanted to sleep for a few hours and we agreed to see
him later as Shmuley had a list of charity-related matters
to discuss. I was to be allowed to tag along as an observer
again.
There
was a knock on the suite door as Michael and his mentor
were deep in conversation that evening. Michael asked
if I wouldn't mind going to the door. Outside was Macaulay
Culkin, in London for his West End play and here to
hang out with Michael. 'Hi, there, you big, fat monkey
head,' Culkin said to his friend.
You
either understand Michael Jackson's Peter Pan thing
or not, but he is earnest about it and says that he
is not fond of adults and not proud of being one - hence
his fellow feeling with ex-child stars like Culkin who,
like him, missed out on childhood.
We
left Michael and Macaulay to do whatever they do, which
according to one tabloid, was sit on Michael's bed and
watch kids' films.
It's
interesting that when it comes to Michael, people say
that what puts them off is the (ultimately fruitless
and unproven) accusations in the early Nineties of child
molestation and how he made an £18million settlement
to quell his accuser.
When I point out that the local District Attorney subsequently
invited further accusations, and that none came despite
there being so much money on the table, and how surprising
that is considering that some 10,000 children a year
visit Michael's home, Neverland, people shift theirobjection
to the indisputable fact that he looks a bit odd - a
lesser charge, I can't help feeling.
But
perhaps I had already become too understanding of Michael
after our time in New York.
I saw him there working tirelessly on planning Heal
The Kids, which will 'campaign globally for parents
to spend quality time with their children'.
He
did this despite being under pressure from his record
company to get on with recording his album, his first
new music in nearly a decade.
I
saw him in conversation and holding his own with child
psychiatrists, bankers, writers and society bigwigs,
and assured and informal on a conference call with actor
Denzel Washington and Nelson Mandela, whom he asked
to join the Heal The Kids board. ('I'll do whatever
you want, Michael,' Mandela said. 'You know how I respect
you.') I also listened to Jackson in business meetings,
where a different man still emerged - focused, numerate,
business-savvy and imaginative.
He
has a host of plans for his future from property acquisitions
to publishing ventures and leisure businesses.
And
I witnessed the extent ofwhat I think is Jackson's real
commitment to children. Rabbi Shmuley's eldest daughter,
Mushki, had complained tearfully to Michael on one of
his frequent visits to the Boteaches' home that she
was being bullied by a boy at school.
Michael
proposed hosting a peace conference, chaired by him,
with the boy's parents to sort it out. This was no idle
promise, either.
For
a week, Michael phoned Shmuley and Mushki daily demanding
to know how arrangements for the summit were going.
When the day of the meeting came, Michael discovered
it clashed with the photographic session for his new
CD cover.
So
rather than change the date, he began the session at
5am to get it over with. In the event, ironically, the
boy and his family failed to turn up.
Shmuley
also told me, from the hundreds of hours of interviews
he has recorded with Michael for a book they are writing
together, about Michael's torment over the Jamie Bulger
murder on Merseyside, which he surprised his Oxford
audience by mentioning last Tuesday.
The
reference was dismissed by some as an attempt to inject
local colour into the speech, but in fact Michael's
concern over the case goes back to his first marriage,
to Lisa Marie Presley, daughter of Elvis.
They
ended up arguing about Jamie Bulger on a trip to London,
when Michael outraged his wife by saying that, devastated
as he was for Jamie and his parents, he was also concerned
for Jamie's killers because he was sure they must have
had a bad childhood - as indeed was the case.
Michael
refuses to believe on principle that any child can be
fundamentally evil.
As
late as last autumn, Michael was asking what had happened
to Jamie's killers and saying how he would love to have
written to them, but wouldn't dream of doing so because
his fame would make them think they were being rewarded,
which he knew would be unacceptable.
He
was, says Shmuley, quite downcast when he realised how
his celebrity status could occasionally be a handicap
in his mission to help children.
I
joined Michael again on Tuesday afternoon in his suite,
as he did a dry run of his Oxford speech, which he had
been working on with Shmuley for a week.
They
were already behind schedule, thanks to Michael's foot.
He was insisting on delivering the speech standing up,
and even reading through it as he would at Oxford, apart,
that is, from the stripy grey pyjamas with Mickey Mouse
on the breast pocket.
His
focus and attention to detail were remarkable. The speech
was to climax with Michael forgiving his father. There
was a line where he said if the Jackson Five did a great
show, Joseph would say it was OK, and if they did an
OK show, he would say it was lousy.
'You
know,' Michael said, 'I'm wrong there. He never said
it was lousy, he just said nothing. This has got to
be honest.' He went quiet and sat for a while, holding
a tulip from a vase and seemingly lost in thought.
He changed the line, and that bleak'nothing' was the
very word where, that night, he broke down and sobbed
for nearly a minute. Some thought this was theatre;
I am certain it was genuine, as were most of the Oxford
students around me.
While
Michael was getting dressed and seeing the doctor again,
the hours were ticking worryingly away, I had a nose
around the suite. Everywhere were the results of Michael's
reported £2,000 after-hours shopping spree at HMV with
Macaulay and a pretty, blonde, 20-year-old student daughter
of a family friend in London, whom Michael has known
since she was young.
Scattered
around the suite were DVDs of various children's films,
the David Attenborough wildlife video collection (down
from £59.99 to £49.99) and dozens of CDs, including
the Beatles' album 1, to which Michael of course owns
the rights, and so by buying, was paying himself royalties.
It
struck me that it's not correct that Michael Jackson
only enjoys the company of children, as is often said.
What he likes is to surround himself with people in
their twenties whom he has known since they were young
- and can, therefore, trust, such as the lovely student.
Before
we left, getting ever later, Michael gathered up fruit
for the journey to Oxford (two apples, a banana, two
plums and an orange) and frantically hobbled around
on his crutches looking for reading material - a pile
of upmarket magazines plus a copy of the Royal Academy's
£25 catalogue for their current exhibition, The Genius
Of Rome, 1592-1623 - a present from his student friend.
We
piled into the people-carrier with the manager, the
doctor, a bodyguard and Shmuley an hour before we were
due in Oxford for dinner. Michael cradled the art book
on his lap in the back, where he sat with me and the
doctor and discussed Renaissance art. He explained that
Diana Ross had taught him a lot about art, but that
his father was also a talented painter.
It
was Rabbi Shmuley who suggested when we were on the
Cromwell Road that Michael phone his father in Las Vegas.
'You're making a speech forgiving him.
I
think now's the time, Michael. Michael considered the
idea silently all the way to Hammersmith, when he suddenly
asked for the nearest mobile phone and dialled. 'Joseph,'
he said, as we crawled through the London rush hour.
'It's me, Michael. I'm in London. I'm OK, I've broken
my foot and it hurts a lot, but I wanted you to know
I'm on my way to Oxford University to make a speech,
and you're mentioned in it ...no, no, don't worry, it's
very positive. . sure...how are you keeping? Uh-huh.
. .sure,
of course I will. I love you, Dad, bye.' After saying
this, he stared out of the window for a long time. 'You
know,' he said to all of us, beaming, 'that's the first
time I've ever, ever said that. I can't believe it.'
Shmuley gave him a bear hug and congratulated him. Michael
continued reading.
It
was a happy journey, apart from the traffic. Michael
complained that all the CDs his manager had chosen for
the drive were too loud. At one stage on the M40 there
was a silence and I cracked one of those jokes you wish
you hadn't. 'It's getting boring now,' I said, 'I think
we should have a singsong. Can
anyone here sing?' Normally, making jokes around celebrities
is unwise, but the atmosphere was so jolly and excited
that I couldn't help it. To
my delight, Michael had the generosity to laugh loudly.
Michael
began to panic as we got later and later. He wanted
to phone everyone he had inconvenienced by being late.
For a star who doesn't need to give a damn, it's hard
not to be struck by his solicitousness.
Michael's speech was amazing.
We
know the students and the newspapers and TV were bowled
over by it, but I wondered what the reaction would be
of Trevor Beattie, the advertising creative guru, who
was in the packed Victorian debating chamber, with its
statues of Asquith and Gladstone.
Beattie
is probably Britain's most renowned ad man, and has
worked on commercials for UNICEF recently with Mandela,
and with everyone from Muhammad Ali to Tony Blair, whose
TV commercials for the forthcoming Election campaign
he has just made.
Beattie,
in other words, knows a bit about presentation. 'What
I've seen tonight confirms what I've always believed
about Michael,' he said. 'All these theories about him
trying to become white miss the point. I believe his
great thing is not to be anything like his father and
that tonight, he has finally laid the ghost of Joseph
and can start again.
'That's
why I find it sad that until now, everyone's concentrated
on things like his appearance and his eccentricities
and overlooked his personal turmoil. He did it brilliantly
with obvious sincerity. I couldn't admire the man more.'
We went on to an incredibly grand, starry, late dinner
for 40 at Blenheim Palace, where I was amused to watch
Richard E. Grant, a Hollywood star himself, fretting
over how to approach Michael.
'I
mean, what does one do? Do you pretend you know him
and say, hi, [and] introduce yourself. I'm just not
quite sure.' And the next day came the glitzy Geller
wedding. Michael was late again (more trouble with that
foot, exacerbated when he slipped on it - believe it
or not - in a fish and chip shop in Marylebone.) People
were sorry, especially for Uri's wife, Hanna, but then
Michael also had to cancel a helicopter trip from the
Gellers' out to George Harrison's home. Harrison, he
told me, is the Beatle he is closest to.
My
11-year-old daughter shook hands with Michael and pronounced
him, 'Not as scary as in photos, actually really nice
looking.' And I was asked to dance under the wedding
canopy with Uri, Shmuley and David Blaine, the American
magician - and with the world's number one song-and-dance
man, Michael Jackson, sitting in a chair three feet
away, clapping along.
Noting
my hippopotamus-like attempts at rhythm, the King Of
Pop winked at me. I do not expect to be signed up for
his next video any time soon.
He,
on the other hand, seemed happy, as if some sort of
weight had been lifted from his shoulders.
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