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Control Room
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Sony Oxford in K20 (Click to enlarge) |
The Oxford has 72 full channels with mic/line inputs and 48 additional return channels with full eq, 48 multitrack bussing, 32 side chain busses, 24 auxiliary sends and 8 stereo audio subgroups. The console is totally re-settable with full dynamic automation including moving faders on all channels. All input channels include independent compressor, limiter, expander, gate and digital effects processing. All input input modules also include a 5 band fully parametric eq (real time swept) with independent hi/lo pass filters, A and B switching settings and independent in/out for each band.
Click
for a list of other Oxford users.
| In K20
we produce all kinds of music spanning from techno, rock, bigband
and jazz, to contemporary and classical. Our multitrack live recordings
are mixed in this studio. The control room and studio was rebuilt in 1992 with rest room for musicians and machine room upstairs. |
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We have 2 recording rooms connected to K20:
S 20 is about 50 square meters, with a drum booth and vocal booth.
It is permanently installed with a Yamaha MIDI grand piano, a Yamaha
Recording Custom drumset, Fender and Marshal giutar Amps, Hammond organ
+ more.
S19 a large studio about 140 square meters. It is recently refurbished
to an intimate concert hall that seats about 50 people. Live concerts
for an eclusive audience with national and international artists are
recorded or transmitted live from Studio 19.
>>Click for technical specs.
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Her is a list of the equipment in K20:
| Sony Oxford; 120 channels, Each channel has a 5 band parametric EQ, Hi-pass/Lo-pass filter, Dynamics (comp/exp/gate), Delay, 24 aux sends, Routing to 48 tracks, All surround formats, Dynamic automation of all parameters, Snapshot recall of all parameters, 32 bit internal processing. |
| Sony PCM-3348; 48 tracks digital, |
Tascam DA-88; up to 56 tracks digital. |
| Pro Tools HD 96 I/O |
Otari MTR 90 24 track analog |
| 2 Sony PCM 7030; with timecode and chase. |
| Studer A-80; analog 2-track master recorder. |
| Tascam CD-RW5000; CD writer, |
EMT 981 PRO. |
| Main: Dynaudio M3, |
Surround: Adam S3-A |
| Secondary 1: Dynaudio , |
Sub: Genelec 7070 |
| Studio: Genelec 1024B. |
Secondary 2: Auratone 5C . |
| Pro Tools HD 48 in/out |
Mach 5 sampler |
| Alesis XT:C, |
AKG BX 20 plate reverb, |
| AMS RMX 16, |
AMS DMX 15-80S, |
| Aphex Aural Exciter, |
Aphex Sonic Maximizer, |
| BBE 862 Sonic M., |
SPL Saturator, |
| BSS DPR 504, |
BSS DPR 404, |
| Eventide H3000, |
TC 2290 Delay, |
| Klark DN 780, |
Yamaha SPX 900, |
| Lexicon 960 |
Lexicon PCM 80, |
| TC System 6000, |
TC Finalizer +, |
| TC M-One, |
TC D-TWO, |
| Tubetech LCA 2B Comp, |
Tubetech CL1B Comp, |
| Yamaha Rev7, |
Eventide H3500. |
| Kurtzweil K2000, |
Roland A90 EX, |
| Roland JV 2080, |
D-drum 3, |
| Alesis HR16, |
Yamaha MIDI Grand Piano, |
| Marshal JMP1 git.preamp, |
Sessionmaster git.preamp, |
| Digitech 2112 git.preamp, |
Fender Twin git.amp, |
| Hammond organ w/Leslie, |
Trace Elliott bassamp, |
| Yamaha Recording custom drumset. |
Ampeg SVT bassamp |
| Hall: |
| Scene: |
| Mixer: Soundcraft MH3 40 channel |
PA Loudsp.: 2xNexo PS15 + sub LS1200 |
| Monitosr: 9xEAW SM200IH |
PA Amps:Camco Vortex 4x1300W |
| MonitorAmps:Camco 8x 500w |
Splitter:40 channel Xta DS800 active 4 way |
| EQ:DBX Driverack 442 w/flying fader 480R |
FX:Tc Reverb 4000, Tc M-One, Tc D-Two |
| Compr:2 x BSS DPR 404 8 x comp./de-ess |
Gate: 1 x BSS DPR 504 4 x gate |
| Lightning:24 channel 2kw dimmers |
Power:2 x 3x 63A, 1 x 3 x 32A, |
| Drums:Yamaha Recording |
Piano: Steinway C model concert grand |
| Git amp:Fender Twin Reverb wo/master |
Bass amp:Ampeg SVT and Trace Elliott bassamp |
| Organ: Hammond B3 w/leslie |
Electric piano: Fender Rhodes |
| Studios: |
OB Trucks: |
| Credits |
| Microphone list |
| Contact |